{\rtf1\ansi\ansicpg1252\cocoartf949\cocoasubrtf430 {\fonttbl\f0\froman\fcharset0 Times-Roman;\f1\fmodern\fcharset0 CourierNewPS-BoldMT;\f2\fmodern\fcharset0 CourierNewPSMT; \f3\fnil\fcharset0 LucidaGrande;\f4\fswiss\fcharset0 Helvetica;\f5\fnil\fcharset0 CenturySchoolbook; \f6\fmodern\fcharset0 CourierNewPS-ItalicMT;\f7\fmodern\fcharset0 Courier;\f8\froman\fcharset0 BookmanOldStyle; } {\colortbl;\red255\green255\blue255;\red51\green51\blue51;\red128\green128\blue128;\red153\green153\blue153; \red236\green105\blue58;\red204\green204\blue204;\red231\green26\blue17;\red236\green104\blue26;} {\*\listtable{\list\listtemplateid1\listhybrid{\listlevel\levelnfc0\levelnfcn0\leveljc2\leveljcn2\levelfollow0\levelstartat1\levelspace360\levelindent0{\*\levelmarker \{decimal\}.}{\leveltext\leveltemplateid0\'02\'05.;}{\levelnumbers\'01;}}{\listname ;}\listid1} {\list\listtemplateid2\listhybrid{\listlevel\levelnfc0\levelnfcn0\leveljc2\leveljcn2\levelfollow0\levelstartat1\levelspace360\levelindent0{\*\levelmarker \{decimal\}.}{\leveltext\leveltemplateid0\'02\'05.;}{\levelnumbers\'01;}}{\listlevel\levelnfc0\levelnfcn0\leveljc2\leveljcn2\levelfollow0\levelstartat1\levelspace360\levelindent0{\*\levelmarker \{decimal\}.}{\leveltext\leveltemplateid1\'02\'05.;}{\levelnumbers\'01;}}{\listname ;}\listid2}} {\*\listoverridetable{\listoverride\listid1\listoverridecount0\ls1}{\listoverride\listid2\listoverridecount0\ls2}} {\info {\title Electronic Literature & Culture: Fall 2000} {\doccomm upper-division course on studies in literary and cultural modes in the English department, University of Minnesota} {\author Rita Raley} {\keywords cyborg, hypertext fiction, hypertext theory, electronic literature, electronic culture, information age, literary value, new reading, new writing, authorship}}\vieww16480\viewh15480\viewkind0 \deftab720 \pard\pardeftab720\ql\qnatural \f0\fs24 \cf2 \'a0\ \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clvertalc \clcbpat4 \clwWidth680\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clvertalc \clcbpat4 \clwWidth2060\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clvertalc \clcbpat4 \clwWidth2060\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clvertalc \clcbpat4 \clwWidth3180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clvertalc \clcbpat4 \clwWidth4960\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clvertalc \clcbpat4 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\f1\b\fs36 \cf2 Electronic Literature and Culture:\'a0 \f0\b0\fs24 \ \f1\b\fs36 The Work of Art in the Digital Age\'a0 \f0\b0\fs24 \ \pard\intbl\itap1\pardeftab720\sa240\qc \f2 \cf2 College of Liberal Arts Honors Seminar \f0 \f3 \uc0\u8232 \f2 University of Minnesota\'a0 \f0 \f3 \uc0\u8232 \f2 Fall 2000\'a0 \f0 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.english.ucsb.edu/faculty/rraley"}}{\fldrslt \f2 \cf5 Rita Raley}} \f0 \ \pard\intbl\itap1\pardeftab720\sa240\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clmgf \clvertalc \clcbpat2 \clwWidth7980\clftsWidth3 \clbrdrt\brdrnil 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\pard\intbl\itap2\pardeftab720\qc {\field{\*\fldinst{HYPERLINK "http://www.english.ucsb.edu/faculty/rraley/courses/3050/index.html#requirements"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap2\pardeftab720\qc \cf2 \ \pard\intbl\itap2\pardeftab720\qc {\field{\*\fldinst{HYPERLINK "http://www.english.ucsb.edu/faculty/rraley/courses/3050/index.html#schedule"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap2\pardeftab720\qc \cf2 \ \pard\intbl\itap2\pardeftab720\qc {\field{\*\fldinst{HYPERLINK "http://www.english.ucsb.edu/faculty/rraley/courses/ELC/Links.html"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap2\pardeftab720\qc \cf2 \ \pard\intbl\itap2\pardeftab720\qc {\field{\*\fldinst{HYPERLINK "http://www.english.ucsb.edu/faculty/rraley/courses/3050/index.html#projects"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap2\pardeftab720\qc \cf2 \ \ \pard\intbl\itap2\pardeftab720\li620\ri620\sa120\qc \cf2 \cb7 \nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\sa280\qc \b\fs28 \cf2 \cb1 \cell \pard\intbl\itap1\cell \itap2\trowd \taflags0 \trgaph108\trleft-108 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7900\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\ql\qnatural \f5\b0\fs20 \cf2 What is the status of literature and of art work in the age of information and digital media?\'a0 In what ways is the \'93literary\'94 relevant to the design paradigm of the Internet?\'a0 What is the function and status of the digital avant garde in the current moment, and what is the proper frame of reference through which to consider their work:\'a0 poetics, aesthetics, narrative, science, mathematics, aura, shock, meaninglessness, consumerism?\'a0 The ascendance of the image, of codes, and of the computer as dominant cultural icons and narratives has helped to displace the belief in the book as repository and transmitter of cultural value onto the chip, the database, the electronic mechanism, and the screen. Hypertext narratives, though, complicate this displacement\'97they are a site of literature\'92s adaptation to the digital condition that is perpetually \'93under construction.\'94\'a0 Thus, one premise of this course is that literature is by no means an antiquated cultural form relegated to the obsolescent spheres of print\'97it has instead virtually transformed itself in response to the new electronic culture, and we will investigate how it has done so. We will also discuss the relations between text and image, simulation and the simulacrum; the tropes and figures of electronic culture; surveillance and voyeurism; \'93making do\'94 and hacking; the theoretical and cultural antecedents of hypertext; the relationship between the analog and the digital; the anamorphic text; graphic design; the stylistics of hypertextual narrative; and complexity. \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\ql\qnatural \f5 \cf2 \'a0 \f0 \cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clvmrg \clvertalc \clcbpat2 \clwWidth680\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clvertalc \clcbpat2 \clwWidth2060\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmgf \clvertalc \clcbpat6 \clwWidth10200\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmrg \clvertalc \clcbpat6 \clwWidth10200\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmrg \clvertalc \clcbpat6 \clwWidth10200\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clvmrg \clvertalc \clcbpat2 \clwWidth1980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell 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\clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clmrg \clvertalc \clcbpat0 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \lastrow\row \pard\pardeftab720\ql\qnatural \cf2 \ \'a0\ \itap1\trowd \taflags0 \trgaph108\trleft-108 \trcbpat2 \trwWidth14000\trftsWidth3 \trmarl680 \trmarr700 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth4360\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx4320 \clvertalc \clshdrawnil \clwWidth9400\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \itap2\trowd \taflags0 \trgaph108\trleft-108 \trcbpat1 \trwWidth3800\trftsWidth3 \trmarl280 \trmarr280 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth3560\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\qc {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050/#books"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap2\pardeftab720\qc \cf2 \ \pard\intbl\itap2\pardeftab720\ql\qnatural \f2\fs20 \cf2 William Gibson, \f6\i Neuromancer \f0\i0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f2\fs20 \cf2 Jean Baudrillard, \f6\i Simulations \f0\i0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f6\i\fs20 \cf2 The Eastgate Quarterly Review of Hypertext \f2\i0 1:2 (includes Arnold, \'93Lust\'94 and Douglas, \'93I Have Said Nothing\'94; Macintosh or Windows format from {\field{\*\fldinst{HYPERLINK "http://www.eastgate.com/"}}{\fldrslt \cf5 Eastage Systems}})\'a0 \f0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f2\fs20 \cf2 Espen Aarseth, {\field{\*\fldinst{HYPERLINK "http://www.hf.uib.no/cybertext/"}}{\fldrslt \f6\i \cf5 Cybertext}} \f6\i \ul : \f0\i0\fs24 \ulnone \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.hf.uib.no/cybertext/"}}{\fldrslt \f6\i\fs20 \cf5 Perspectives on Ergodic Literature}} \f0 \ \f2\fs20 Other Reading \f0\fs24 \f3 \uc0\u8232 \f2\fs20 - HSem 3050 Reader is available at Paradigm; reader selections are marked (R) on the syllabus.\'a0 \f0\fs24 \ \f2\fs20 - Online or electronic readings are marked (OL) on the syllabus and are reachable from our class {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050"}}{\fldrslt \cf5 webpage}}. Some of the electronic reading may need to be done on a relatively high-powered computer, and I recommend you visit one of the computer labs for this purpose.\'a0 When it comes time to browse an index or site, I will direct you to a few particular texts.\'a0 \f0\fs24 \f3 \uc0\u8232 \f0 \'a0\nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \itap2\trowd \taflags0 \trgaph108\trleft-108 \trcbpat1 \trwWidth8200\trftsWidth3 \trmarl600 \trmarr600 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7960\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\qc {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050/#requirements"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap2\pardeftab720\qc \cf2 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050/#1"}}{\fldrslt \f7 \cf5 1.}} \f7 \'a0 Pr\'ef\'bf\'bdcis: 10%\'a0 \f0 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050/#2"}}{\fldrslt \f7 \cf5 2.}} \f7 \'a0 4-5 pp. Paper: 25% \f0 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050/#3"}}{\fldrslt \f7 \cf5 3.}} \f7 \'a0 Final Paper or Project: 40% \f0 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~raley/courses/3050/#5"}}{\fldrslt \f7 \cf5 4.}} \f7 \'a0 Class Participation & Presentation: 25%\'a0 \f0 \f3 \uc0\u8232 \f0 \'a0\ \pard\intbl\itap2\tx220\tx720\pardeftab720\li720\fi-720\ql\qnatural \ls1\ilvl0 \f5\fs20 \cf2 {\listtext 1. }One of the requirements for this course will be a pr\'ef\'bf\'bdcis, or critical summary, of a work of theory of your choosing.\'a0 There will be a separate handout with guidelines for the assignment. \f0\fs24 \ \ls1\ilvl0 \f5\fs20 {\listtext 2. }Topics for the short paper will be assigned.\'a0 \i Due date: October 26\'a0 \f0\i0\fs24 \ \ls1\ilvl0 \f5\fs20 {\listtext 3. }At the end of the quarter, seminar participants will place their work, however temporarily, online. (I will hold a separate tutorial for anyone interested in learning the basics of HTML, WYSIWYG editors and FTP\'92ing.\'a0 Otherwise, there are a number of technicians on campus who can assist you.)\'a0 If the project is a standard seminar paper, then the approximate length should be 8 pages in print.\'a0 If the project is more explicitly hypertextual, however, then the guiding quantitative principle should be subsumed to conceptual scope; that is, the project should be equivalent to a seminar paper in argumentative range and ambition.\'a0 Hypertext fiction projects are also welcome, but they should be accompanied by a short (3 pg.) critical analysis of the composition.\'a0 \i Due date: December 12 \f0\i0\fs24 \ \ls1\ilvl0 \f5\fs20 {\listtext 4. }Another requirement for the course will be a short class presentation, usually opening up into a question for general discussion (5 minutes).\'a0 You should either speak with me over email or make arrangements to see me briefly the week before the class in which you are to present, so we can speak about your proposed topics or questions.\'a0 These presentations may be collaborative; that is, you may choose to present with someone else in the class. \f0\fs24 \ \pard\intbl\itap2\pardeftab720\ql\qnatural \f5\fs20 \cf2 Some of our class sessions will be in a campus computer lab.\'a0 The movie screenings will be Tuesday or Thursday evenings (exact times and locations TBA).\'a0 On those days we will not have class at the usual time. \f0\fs24 \ \pard\intbl\itap2\tx940\tx1440\pardeftab720\li1440\fi-1440\ql\qnatural \ls2\ilvl1\cf2 {\listtext 1. }\nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \lastrow\row \pard\pardeftab720\ql\qnatural \cf2 \ \'a0 \ \'a0\ \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clvertalc \clcbpat4 \clwWidth660\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clvertalc \clcbpat4 \clwWidth1200\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clvertalc \clcbpat4 \clwWidth1200\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clvertalc \clcbpat4 \clwWidth3880\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clvertalc \clcbpat4 \clwWidth6100\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clvertalc \clcbpat4 \clwWidth1880\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clmgf \clvertalc \clcbpat4 \clwWidth14920\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clmrg \clvertalc \clcbpat4 \clwWidth14920\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmrg \clvertalc \clcbpat4 \clwWidth14920\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmrg \clvertalc \clcbpat4 \clwWidth14920\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmrg \clvertalc \clcbpat4 \clwWidth14920\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clmrg \clvertalc \clcbpat4 \clwWidth14920\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\qc \f4 \cf0 \pard\intbl\itap1\pardeftab720\qc \f0 \cf2 \cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clmgf \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clmrg \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmrg \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmrg \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmgf \clvertalc \clcbpat0 \clwWidth7980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clmrg \clvertalc \clcbpat0 \clwWidth7980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clmgf \clvertalc \clcbpat8 \clwWidth1860\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clmrg \clvertalc \clcbpat8 \clwWidth1860\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmgf \clvertalc \clcbpat6 \clwWidth11180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmrg \clvertalc \clcbpat6 \clwWidth11180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmrg \clvertalc \clcbpat6 \clwWidth11180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clvmgf \clvertalc \clcbpat5 \clwWidth1880\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clvmgf \clvertalc \clcbpat2 \clwWidth660\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clmgf \clvertalt \clcbpat1 \clwWidth2400\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmrg \clvertalt \clcbpat1 \clwWidth2400\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmgf \clvertalt \clcbpat6 \clwWidth9980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmrg \clvertalt \clcbpat6 \clwWidth9980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clvmrg \clvertalc \clcbpat5 \clwWidth1880\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\ \itap2\trowd \taflags0 \trgaph108\trleft-108 \trwWidth2340\trftsWidth3 \trmarl60 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth2100\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\li340\ri360\sa140\qc \b\fs28 \cf2 \cb7 \ \pard\intbl\itap2\pardeftab720\ql\qnatural \f8\i\b0\fs20 \cf0 \cb1 \'93multiple fragments which are assembled under a new law\'94 \f0\i0\fs24 \cf2 \ \f8\i\fs20 \cf0 - Walter Benjamin \f0\i0\fs24 \cf2 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0\ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f8\i\fs20 \cf0 \'93there is no story for which the question as to how it continued would not be legitimate \i0 " \i \cf2 \'94 \f0\i0\fs24 \f3 \uc0\u8232 \f8\i\fs20 \cf0 - Walter Benjamiun \f0\i0\fs24 \cf2 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0\ \f8\i\fs20 \cf0 \'93She quivered as she blew back the tissue paper from each engraving \'85those pictures of every corner of the world.\'94\'a0 \f0\i0\fs24 \cf2 \f3 \uc0\u8232 \f8\i\fs20 \cf0 - Gustave Flaubert, \i0 Madame Bovary \f0\fs24 \cf2 \nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \ \'a0\ \pard\intbl\itap1\pardeftab720\sa240\qc \cf2 \ \pard\intbl\itap1\pardeftab720\li400\ri400\sa120\qc \cf2 \cb7 \ \pard\intbl\itap1\pardeftab720\sa240\ql\qnatural \f3 \cf2 \cb1 \uc0\u8232 \u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0\ \itap2\trowd \taflags0 \trgaph108\trleft-108 \trwWidth2400\trftsWidth3 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalt \clshdrawnil \clwWidth2160\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\ql\qnatural \f5\b\fs20 \cf2 Selected works of digital or digitalized art \f0\b0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 Michael Noll, {\field{\*\fldinst{HYPERLINK "http://www.cgrg.ohio-state.edu/~waynec/history/tree/images/noll1.JPG"}}{\fldrslt \i \cf5 Gaussian Qadratic}} (1963); \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Lillian Schwartz, {\field{\*\fldinst{HYPERLINK "http://www.lillian.com/"}}{\fldrslt \i \cf5 Mona/Leo}} \f0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.siggraph.org/artdesign/gallery/S98/pione/pione3/molnar.html"}}{\fldrslt \f5\fs20 \cf5 Vera Molnar}} \f0 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.scit.wlv.ac.uk/events/latham.html"}}{\fldrslt \f5\fs20 \cf5 William Latham}} \f0 \f3 \uc0\u8232 \f5\fs20 Chip Lord, {\field{\*\fldinst{HYPERLINK "http://www.noorderlicht.com/eng/fest97/eden/lord/"}}{\fldrslt \i \cf5 Awakening from the Twentieth Century}} \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Jeff Wall, {\field{\*\fldinst{HYPERLINK "http://www.arttowermito.or.jp/jpg97nov/wall2.jpg"}}{\fldrslt \i \cf5 A Sudden Gust of Wind (after Hokusai)}} \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Otto Piene, {\field{\*\fldinst{HYPERLINK "http://www.a2z.pt/museu/2/art244.htm"}}{\fldrslt \i \cf5 Rauchbild}} \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Karl Sims, {\field{\*\fldinst{HYPERLINK "http://www.genarts.com/galapagos/"}}{\fldrslt \i \cf5 Galapagos}} \f0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.ace.co.uk/seriousgames/seaman.htm"}}{\fldrslt \f5\fs20 \cf5 Bill Seaman}} \f0 \f3 \uc0\u8232 \f0 \'a0\nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\sa240\ql\qnatural \f3 \cf2 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0 \f3 \uc0\u8232 \f0 \'a0\ \itap2\trowd \taflags0 \trgaph108\trleft-108 \trwWidth2400\trftsWidth3 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalb \clshdrawnil \clwWidth2160\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\ql\qnatural \f8\i\fs20 \cf0 \'93I have erected a monument more durable than bronze/ \f0\i0\fs24 \cf2 \ \f8\i\fs20 \cf0 And loftier than the pyramids\'92 regal structure,/ \f0\i0\fs24 \cf2 \ \f8\i\fs20 \cf0 One that no voracious rain, nor violent north wind/ \f0\i0\fs24 \cf2 \ \f8\i\fs20 \cf0 Will destroy, nor the numberless sequence/ \f0\i0\fs24 \cf2 \ \f8\i\fs20 \cf0 Of years and the rush of time.\'94\'a0 \f0\i0\fs24 \cf2 \ \f8\i\fs20 \cf0 - Horace, 1st Century B.C. \f0\i0\fs24 \cf2 \nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0 \ \'a0\ \pard\intbl\itap1\pardeftab720\sa240\qc \f5\b\fs20 \cf2 Gaming Links \f0\b0\fs24 \ \pard\intbl\itap1\pardeftab720\sa240\qc {\field{\*\fldinst{HYPERLINK "http://bang.dhs.org/if/library/"}}{\fldrslt \f5\fs20 \cf5 Interactive Fiction Research Library}} \f5\fs20 ; \f0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://interactfiction.about.com/games/interactfiction/index.htm"}}{\fldrslt \f5\fs20 \cf5 Interactive Fiction & Adventure Games}} \f5\fs20 ; \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Open Directory: {\field{\*\fldinst{HYPERLINK "http://dmoz.org/Games/Video_Games/Genres/Interactive_Fiction/"}}{\fldrslt \cf5 Interactive Fiction}}; \f0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.gamecenter.com/"}}{\fldrslt \f5\fs20 \cf5 CNET Gamecenter}} \f0 \ \pard\intbl\itap1\pardeftab720\sa240\ql\qnatural \f3 \cf2 \uc0\u8232 \u8232 \u8232 \u8232 \u8232 \u8232 \u8232 \f0 \ \'a0\cell \pard\intbl\itap1\cell \itap2\trowd \taflags0 \trgaph108\trleft-108 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth9740\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap2\pardeftab720\qc \f1\b\fs28 \cf2 Fictions of New Media \f0\b0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 September 5:\'a0 Introduction \f0\fs24 \ \f5\fs20 September 7:\'a0 Bruce Sterling, \'93Unstable Networks\'94 (R); John N\'ef\'bf\'bdto, \'93{\field{\*\fldinst{HYPERLINK "http://www.ctheory.com/a39-bring_the_noise.html"}}{\fldrslt \cf5 Bring the Noise}}\'94 and \'93Camcorder\'94 (R) \f0\fs24 \f3 \uc0\u8232 \f0 \'a0\ \itap3\trowd \taflags0 \trgaph108\trleft-108 \trwWidth7780\trftsWidth3 \trmarl980 \trmarr980 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7540\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap3\pardeftab720\ql\qnatural \f5\fs20 \cf2 For Thursday, and throughout the semester, browse and bookmark the {\field{\*\fldinst{HYPERLINK "http://directory.eliterature.org/"}}{\fldrslt \cf5 Electronic Literature Directory}}; {\field{\*\fldinst{HYPERLINK "http://www.yproductions.com/beyondinterface/"}}{\fldrslt \i \cf5 Beyond Interface Index}} (OL); {\field{\*\fldinst{HYPERLINK "http://www.altx.com/hyperx/Welcome.html"}}{\fldrslt \i \cf5 Hyper-X}} (OL) (\'93an ongoing \'91network installation\'92\'85state-of-the-art narrative environments made-for-the-Web\'94); {\field{\*\fldinst{HYPERLINK "http://www.hypertxt.com/sh/"}}{\fldrslt \i \cf5 Salt Hill}} (Syracuse U); {\field{\*\fldinst{HYPERLINK "http://www.iceflow.com/onezeroone/101/OneZeroOne.html"}}{\fldrslt \i \cf5 101: One Zero One}}; {\field{\*\fldinst{HYPERLINK "http://www.burningpress.org/bphome.html"}}{\fldrslt \cf5 Burning Press}}; {\field{\*\fldinst{HYPERLINK "http://cla.umn.edu/hypermarks"}}{\fldrslt \cf5 Hypermarks}}. \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 September 12:\'a0 William Gibson, \i Neuromancer \i0 (3-135)\'a0 \f0\fs24 \ \itap3\trowd \taflags0 \trgaph108\trleft-108 \trwWidth7780\trftsWidth3 \trmarl980 \trmarr980 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7540\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap3\pardeftab720\ql\qnatural \f5\fs20 \cf2 Links: {\field{\*\fldinst{HYPERLINK "http://www.georgetown.edu/irvinemj/technoculture/pomosf.html"}}{\fldrslt \cf5 Postmodern Science Fiction and Cyberpunk}}; {\field{\*\fldinst{HYPERLINK "http://www.wsu.edu/~brians/science_fiction/neuromancer.html"}}{\fldrslt \cf5 Study Guide}} with good contextual references \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 September 14:\'a0 William Gibson, \i Neuromancer \i0 (137-271)\'a0 \f0\fs24 \ \f5\fs20 September 19: \i Networking \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 William J. Mitchell, {\field{\*\fldinst{HYPERLINK "http://mitpress.mit.edu/e-books/City_of_Bits/"}}{\fldrslt \i \cf5 City of Bits: Space, Place, and the Infobahn}} (3-24; R) \f0\fs24 \ \ \pard\intbl\itap2\pardeftab720\qc \f1\b\fs28 \cf2 Media and Mass Culture \f0\b0\fs24 \ \pard\intbl\itap2\pardeftab720\ql\qnatural \f5\fs20 \cf2 September 21: \i Big Brother \f0\i0\fs24 \ \f5\fs20 Michel Foucault, \'93Panopticism,\'94 from \i Discipline and Punish \i0 (R)\'a0 \f0\fs24 \ \'a0\ \itap3\trowd \taflags0 \trgaph108\trleft-108 \trwWidth7780\trftsWidth3 \trmarl980 \trmarr980 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7540\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap3\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.bigbrother.terra.com/"}}{\fldrslt \f5\fs20 \cf5 Big Brother UK}} \ \pard\intbl\itap3\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://webcenter.bigbrother2000.aol.com/entertainment/NON/"}}{\fldrslt \f5\fs20 \cf5 Big Brother US}} \ \pard\intbl\itap3\pardeftab720\ql\qnatural \f5\fs20 \cf2 Webcams: {\field{\*\fldinst{HYPERLINK "http://www.anacam.com/"}}{\fldrslt \cf5 Anacam}}; {\field{\*\fldinst{HYPERLINK "http://www.jennicam.com/"}}{\fldrslt \cf5 Jennicam}}; {\field{\*\fldinst{HYPERLINK "http://www.sleepstation.com/"}}{\fldrslt \cf5 Universal Sleep Station}} \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 September 26: \i \'a0 Tactics & Hacking \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Michel de Certeau, from \i The Practice of Everyday Life \i0 (R);\'a0 \f0\fs24 \ \itap3\trowd \taflags0 \trgaph108\trleft-108 \trwWidth7780\trftsWidth3 \trmarl980 \trmarr980 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7540\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap3\pardeftab720\ql\qnatural \f5\fs20 \cf2 Links: \'93{\field{\*\fldinst{HYPERLINK "http://hacks.mit.edu/Hacks/misc/ethics.html"}}{\fldrslt \cf5 The Hacker Ethic}}\'94 (MIT); {\field{\*\fldinst{HYPERLINK "http://www.piracy.com/"}}{\fldrslt \cf5 Worldwide Piracy Initiative}}; {\field{\*\fldinst{HYPERLINK "http://www.hacked.net/"}}{\fldrslt \cf5 hacked.net}}; {\field{\*\fldinst{HYPERLINK "http://www.antionline.com/"}}{\fldrslt \cf5 AntiOnline}} (Computer Security-Hackers & Hacking); {\field{\*\fldinst{HYPERLINK "http://www.euronet.nl/users/jasmine/root/digitalunderground.html"}}{\fldrslt \cf5 A way to find your path in the digital underground}}; {\field{\*\fldinst{HYPERLINK "http://www.takedown.com/"}}{\fldrslt \cf5 Takedown}} (for just-released {\field{\*\fldinst{HYPERLINK "http://cnn.com/2000/TECH/computing/01/21/mitnick.release.01/index.html"}}{\fldrslt \cf5 Kevin Mitnick}}); {\field{\*\fldinst{HYPERLINK "http://www.fxweb.com/tracker/"}}{\fldrslt \cf5 WebTracker}} \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 September 28: {\field{\*\fldinst{HYPERLINK "http://us.imdb.com/Title?0071360"}}{\fldrslt \i \cf5 The Conversation}} (1974; Francis Ford Coppola) \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Smith 100, 7-9 pm \f0\fs24 \ \f5\fs20 October 3: \i The 'New Law' \f0\i0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.popcultures.com/theorists/benjamin.html"}}{\fldrslt \f5\fs20 \cf5 Walter Benjamin}} \f5\fs20 , \'93T{\field{\*\fldinst{HYPERLINK "http://www.aber.ac.uk/~ednwww/Undgrad/ED10510/benjamin.html"}}{\fldrslt \cf5 he Work of Art in the Age of Mechanical Reproduction}}\'94 (R) \f0\fs24 \ \f5\fs20 October 5: \i Storytelling \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Walter Benjamin, \'93The Storyteller\'94\'a0 \f0\fs24 \ \f5\fs20 October 10: \i The Work Itself \f0\i0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.popcultures.com/theorists/adorno.html"}}{\fldrslt \f5\fs20 \cf5 Theodor Adorno}} \f5\fs20 and Max Horkheimer, "The Culture Industry: Enlightenment as Mass Deception" (R) \f0\fs24 \ \f5\fs20 October 12: \i Making Do \f0\i0\fs24 \f3 \uc0\u8232 \f5\i\fs20 Peter Burger \i0 , \i Avant-Garde \i0 (R); {\field{\*\fldinst{HYPERLINK "http://www.louisville.edu/~mshess01/surr_games.html"}}{\fldrslt \cf5 Surrealist games}}; {\field{\*\fldinst{HYPERLINK "http://www.duke.edu/web/lit132/awsamples.html"}}{\fldrslt \cf5 samples}} of {\field{\*\fldinst{HYPERLINK "http://www.fortbend.k12.tx.us/hhs/acad/diggraph/collage/collage.htm"}}{\fldrslt \cf5 Dada and surrealist collage}} and {\field{\*\fldinst{HYPERLINK "http://www.madsci.org/~lynn/juju/surr/zamaton/auto.html"}}{\fldrslt \i \cf5 l\'92ecriture automatique}} (OL); Ernst-Jan C. Wit, "{\field{\*\fldinst{HYPERLINK "http://galton.uchicago.edu/~wit/automatic_writing.htm"}}{\fldrslt \cf5 The Role of Automatic Writing in the Surrealist Movement}}" (OL) \f0\fs24 \ \f5\fs20 October 17:\'a0 \i Digital Art \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Bill Viola, Nam June Paik, Michael Schell and his electronic arts ensemble with live video performances, {\field{\*\fldinst{HYPERLINK "http://members.aol.com/Schell77/77hz.htm"}}{\fldrslt \cf5 77Hz}} (OL); \'93Digital Art\'94 in Michael Rush, \i New Media in Late 20th-Century Art \i0 ; {\field{\*\fldinst{HYPERLINK "http://www.cgrg.ohio-state.edu/~waynec/history/timeline.html"}}{\fldrslt \cf5 Timeline of computer graphics and animation}} \f0\fs24 \f3 \uc0\u8232 \f0 \'a0\ \itap3\trowd \taflags0 \trgaph108\trleft-108 \trwWidth8760\trftsWidth3 \trmarl480 \trmarr500 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth8520\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap3\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.artincontext.org/artist/p/nam_june_paik/"}}{\fldrslt \f5\fs20 \cf5 Nam June Paik Reference Page}} \f5\fs20 ; \f0\fs24 \ \pard\intbl\itap3\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.panix.com:com80/~fluxus/FluX/ESH.html"}}{\fldrslt \f5\fs20 \cf5 Nam June Paik in the 90's}} \f5\fs20 : the Electronic Superhighway; {\field{\*\fldinst{HYPERLINK "http://www.guggenheim.org/exhibitions/paik/"}}{\fldrslt \cf5 Guggenheim: Paik exhibition}};\'a0 \f0\fs24 \ \pard\intbl\itap3\pardeftab720\ql\qnatural \f5\fs20 \cf2 Bill Viola, "{\field{\*\fldinst{HYPERLINK "http://www.sva.edu/moma/videospaces/viola.html"}}{\fldrslt \cf5 Video Spaces: Eight Installations}}" (MOMA 1995); {\field{\*\fldinst{HYPERLINK "http://www.sfmoma.org/multimedia/interactive_features/1"}}{\fldrslt \cf5 SFMOMA Presents Bill Viola Online}} (1999);\'a0 \f0\fs24 \ \pard\intbl\itap3\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.billviola.com/"}}{\fldrslt \f5\fs20 \cf5 Bill Viola}} \f5\fs20 website \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 October 19: \i Text and Image (Hypermedia)\'a0 \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Mitchell Stephens, Preface, \'93Multiple Fragments,\'94 and "Thinking \'91Above the Stream\'92\'94 from {\field{\*\fldinst{HYPERLINK "http://www.powells.com/biblio/14200-14400/0195098293.html"}}{\fldrslt \i \cf5 The Rise of the Image and the Fall of the Word}} (R);\'a0 \f0\fs24 \f3 \uc0\u8232 \f0 \'a0\ \itap3\trowd \taflags0 \trgaph108\trleft-108 \trwWidth7780\trftsWidth3 \trmarl980 \trmarr980 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth7540\clftsWidth3 \clmart30 \clmarl30 \clmarb30 \clmarr30 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt120 \clpadl120 \clpadb120 \clpadr120 \gaph\cellx8640 \pard\intbl\itap3\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.altx.com/ebr/ebr7/ebr7.htm"}}{\fldrslt \f5\fs20 \cf5 Hyperfiction}} \f5\fs20 , \i Electronic Book Review \i0 7 (1998); Olia Lialina, \'93{\field{\*\fldinst{HYPERLINK "http://www.yproductions.com/beyondinterface/lialina_fr.html"}}{\fldrslt \cf5 My Boyfriend Came Back From the War}}\'94 (OL); {\field{\*\fldinst{HYPERLINK "http://www.uturn.org/bloomfld.asp"}}{\fldrslt \cf5 Lisa Bloomfield}}, {\field{\*\fldinst{HYPERLINK "http://www.cmp.ucr.edu/Bloomfield/Bloomfield/Threads.html"}}{\fldrslt \i \cf5 No Memory}} \i \i0 (1996; OL) and {\field{\*\fldinst{HYPERLINK "http://www.cmp.ucr.edu/Bloomfield/aboutthepiece.html"}}{\fldrslt \i \cf5 Random Readings}} (1995; OL); Browse the entropy site: <{\field{\*\fldinst{HYPERLINK "http://entropy8zuper.org/"}}{\fldrslt \cf5 entropy8zuper.org}}>; continue browsing the {\field{\*\fldinst{HYPERLINK "http://www.yproductions.com/beyondinterface/"}}{\fldrslt \i \cf5 Beyond Interface Index}} (OL). \f0\fs24 \nestcell \lastrow\nestrow \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 October 24:\'a0 {\field{\*\fldinst{HYPERLINK "http://www.uta.edu/english/apt/collab/baudweb.html"}}{\fldrslt \cf5 Jean Baudrillard}}, \i Simulations \i0 (1-58) \f0\fs24 \f3 \uc0\u8232 \f5\fs20 October 26:\'a0 {\field{\*\fldinst{HYPERLINK "http://www.popcultures.com/theorists/baudrillard.html"}}{\fldrslt \cf5 Jean Baudrillard}}, \i Simulations \i0 (83, 92-115, 138-152) \f0\fs24 \f3 \uc0\u8232 \f5\fs20 \'a0\'a0\'a0 \b 4-5 pp. paper due \f0\b0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\qc \f1\b\fs28 \cf2 The Work of Art in\'a0 \f0\b0\fs24 \f3 \uc0\u8232 \f1\b\fs28 the Digital Age \f0\b0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 October 31:\'a0 \i Universal Machines \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Vannevar Bush, \'93{\field{\*\fldinst{HYPERLINK "http://www.theatlantic.com/unbound/flashbks/computer/bushf.htm"}}{\fldrslt \cf5 As We May Think}}\'94 (OL); {\field{\*\fldinst{HYPERLINK "http://www.sfc.keio.ac.jp/~ted/"}}{\fldrslt \cf5 Ted Nelson}}, from \i Literary Machines \i0 (R) ; John Tolva, \'93{\field{\*\fldinst{HYPERLINK "http://www.mindspring.com/~jntolva/heresy.html"}}{\fldrslt \cf5 The Heresy of Hypertext: Fear and Anxiety in the Late Age of Print}}\'94 (OL); {\field{\*\fldinst{HYPERLINK "http://www.mheim.com/"}}{\fldrslt \cf5 Michael Heim}}, \'93Hypertext Heaven\'94 from \i The Metaphysics of Virtual Reality \i0 (R). Browse {\field{\*\fldinst{HYPERLINK "http://xanadu.com/"}}{\fldrslt \cf5 Project Xanadu}} (OL). \f0\fs24 \ \f5\fs20 November 2:\'a0 \i Authoring \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Espen Aarseth, \'93The Cyborg Author,\'94 from \i Cybertext: Perspectives on Ergodic Literature \i0 ; {\field{\*\fldinst{HYPERLINK "http://userpage.fu-berlin.de/~cantsin/index.cgi"}}{\fldrslt \i \cf5 Permutations}} (OL), especially Raymond Queneau, \'93{\field{\*\fldinst{HYPERLINK "http://userpage.fu-berlin.de/~cantsin/queneau/conte/conte.cgi"}}{\fldrslt \cf5 A Fairy Tale as You Like It}}\'94 (OL)\'a0 \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Links:\'a0 {\field{\*\fldinst{HYPERLINK "http://www.mcs.net/~jorn/html/ai/racterfaq.html"}}{\fldrslt \cf5 RACTER}} FAQ (about the supposed text-generation program);\'a0 {\field{\*\fldinst{HYPERLINK "http://www.bigtable.com/primer/0013b.html"}}{\fldrslt \cf5 The Cut-up Technique}} (Burroughs) and {\field{\*\fldinst{HYPERLINK "http://www.bigtable.com/cutup/"}}{\fldrslt \cf5 The Cut-up Machine}}; {\field{\*\fldinst{HYPERLINK "http://qsilver.queensu.ca/~4ss42/Oulipo/"}}{\fldrslt \cf5 Oulipo}} ("the Workshop of potential computer literature ( \i Ouvroir de Litt\'ef\'bf\'bdrature Informatique Potentiel \i0 ) is my little way of grouping together a variety of projects that bring together notions of Oulipo and of computers"; St\'ef\'bf\'bdfan Sinclair); {\field{\*\fldinst{HYPERLINK "http://qsilver.queensu.ca/QI/HyperPo/"}}{\fldrslt \cf5 HyperPo}} (software for text exploration and analysis);\'a0 \f0\fs24 \ \f5\fs20 November 7:\'a0 \i Combinatorial Writing \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Mary-Kim Arnold, \'93{\field{\*\fldinst{HYPERLINK "http://www.eastgate.com/catalog/q12.html"}}{\fldrslt \cf5 Lust}}\'94 (on disk from Eastgate); {\field{\*\fldinst{HYPERLINK "http://www.assoziations-blaster.de/english/"}}{\fldrslt \cf5 The Assoziations-Blaster}} (OL); Brion Gysin, {\field{\*\fldinst{HYPERLINK "http://userpage.fu-berlin.de/~cantsin/gysin/cut-up.cgi"}}{\fldrslt \i \cf5 Cut-Ups Self-Explained}}; \i \i0 Selections from {\field{\*\fldinst{HYPERLINK "http://www.english.vt.edu/~siegle/Comp/Oulipo_s_N_7/oulipo_s_n_7.html"}}{\fldrslt \i \cf5 Oulipo}} (especially Harry Matthews, \'93The Poet\'92s Eye\'94; also browse {\field{\*\fldinst{HYPERLINK "http://www.nous.org.uk/oulipo.html"}}{\fldrslt \cf5 Oulipo}}) (R); Helen Thorington (with M.R. Petit & John Neilson), {\field{\*\fldinst{HYPERLINK "http://turbulence.org/Works/solitaire/index.html"}}{\fldrslt \i \cf5 Solitaire}} (1998)\'a0 [the {\field{\*\fldinst{HYPERLINK "http://www.turbulence.org/Works/solitaire/deck.html"}}{\fldrslt \cf5 deck}}] \f0\fs24 \ \f5\fs20 November 9:\'a0 \i Mapping \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Matthew Miller, \'93{\field{\*\fldinst{HYPERLINK "http://raven.ubalt.edu/guests/trip"}}{\fldrslt \cf5 Trip}}\'94 (OL); Raine Koskimaa, \'93{\field{\*\fldinst{HYPERLINK "http://www.altx.com/ebr/ebr6/6koskimaa/6koski.htm"}}{\fldrslt \cf5 Visual Structuring of Hypertext Narratives}}\'94 (OL); {\field{\*\fldinst{HYPERLINK "http://www.themodernword.com/borges/"}}{\fldrslt \cf5 Jorge Luis Borges}}, \'93{\field{\*\fldinst{HYPERLINK "http://jubal.westnet.com/hyperdiscordia/library_of_babel.html"}}{\fldrslt \cf5 The Library of Babel}}\'94 (R). \f0\fs24 \f3 \uc0\u8232 \f5\fs20 \ul Class exercise\ulnone : on this day you will bring in a basic visual map of one hypertext piece. \f0\fs24 \ \f5\fs20 November 14: \i Patterns \f0\i0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://www.salonmag.com/books/feature/1999/12/06/borges/"}}{\fldrslt \f5\fs20 \cf5 Jorge Luis Borges}} \f5\fs20 , \'93An Examination of the Work of Herbert Quain\'94 (R); M.D. Coverley, {\field{\*\fldinst{HYPERLINK "http://califia.hispeed.com/Fibonacci/choice.htm"}}{\fldrslt \cf5 Fibonacci\'92s Daughter}} (OL)\'a0 \f0\fs24 \ \f5\fs20 November 16: \i Browsing & Annotating \f0\i0\fs24 \f3 \uc0\u8232 {\field{\*\fldinst{HYPERLINK "http://eastgate.com/people/Malloy.html"}}{\fldrslt \f5\fs20 \cf5 Judy Malloy}} \f5\fs20 , {\field{\*\fldinst{HYPERLINK "http://www.eastgate.com/malloy/"}}{\fldrslt \i \cf5 l0ve 0ne}} (OL; for reference see her {\field{\*\fldinst{HYPERLINK "http://www.well.com/user/jmalloy/awquilt.html"}}{\fldrslt \cf5 collected Internet works}})\'a0 \f0\fs24 \f3 \uc0\u8232 \f5\fs20 \ul Class exercise\ulnone :\'a0 on this day, you will bring in a short (no more than one page) journal-like account of your experience of browsing and reading a hypertext. Think of this as a page in a larger commonplace book.\'a0 \f0\fs24 \ \f5\fs20 November 21: \i Reading \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Espen Aarseth, \'93{\field{\*\fldinst{HYPERLINK "http://www.hf.uib.no/cybertext/Ergodic.html"}}{\fldrslt \cf5 Introduction: Ergodic Literature}}\'94 and \'93Chapter Four: No Sense of an Ending: Hypertext Aesthetics,\'94 \i Cybertext: Perspectives on Ergodic Literature \f0\i0\fs24 \ \f5\fs20 November 28:\'a0 \i Interactivity & Digital Textuality \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Jim Rosenberg, {\field{\*\fldinst{HYPERLINK "http://www.well.com/user/jer/inter_works.html"}}{\fldrslt \cf5 Interactive Works}}; {\field{\*\fldinst{HYPERLINK "http://www.well.com/user/jer/diags.html"}}{\fldrslt \cf5 Diagram Poems}}; \'93{\field{\*\fldinst{HYPERLINK "http://www.well.com/user/jer/VL.html"}}{\fldrslt \cf5 The Interactive Diagram Sentence}}\'94; George Landow, \'93{\field{\*\fldinst{HYPERLINK "http://landow.stg.brown.edu/cpace/ht/jhup/intertext.html"}}{\fldrslt \cf5 Hypertext and Intertextuality}}\'94 (OL); Continue browsing text archives, indexes, anthologies, including {\field{\*\fldinst{HYPERLINK "http://english.cla.umn.edu/hypermarks"}}{\fldrslt \cf5 Hypermarks}} \f0\fs24 \ \f5\fs20 November 30: \i Gaming \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Espen Aarseth, \'93Intrigue and Discourse in the Adventure Game\'94; Optional Film:\'a0 {\field{\*\fldinst{HYPERLINK "http://us.imdb.com/Title?0120907"}}{\fldrslt \i \cf5 eXistenZ}} (1999; David Cronenberg)\'a0 \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Smith 100, 7-9 pm \f0\fs24 \ \f5\fs20 December 5:\'a0 \i Dying \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 J. Yellowlees Douglas, "{\field{\*\fldinst{HYPERLINK "http://www.eastgate.com/catalog/q12.html"}}{\fldrslt \cf5 I Have Said Nothing}}" (on disk from Eastgate) \f0\fs24 \ \f5\fs20 December 7:\'a0 \i Linking \f0\i0\fs24 \f3 \uc0\u8232 \f5\fs20 Stuart Moulthrop, \'93{\field{\*\fldinst{HYPERLINK "http://muse.jhu.edu/journals/modern_fiction_studies/v043/43.3moulthrop.html"}}{\fldrslt \cf5 Pushing Back: Living and Writing in Broken Space}}\'94 \i Modern Fiction Studies \i0 43:3 (1997) (OL); Geoff Ryman, {\field{\*\fldinst{HYPERLINK "http://www.ryman-novel.com/"}}{\fldrslt \i \cf5 253}} (OL) \f0\fs24 \ \f5\fs20 December 12:\'a0 Codes and a Coda: {\field{\*\fldinst{HYPERLINK "http://www.whatisthematrix.com/"}}{\fldrslt \i \cf5 The Matrix}} (1999; The Wachowski Brothers).\'a0 \f0\fs24 \f3 \uc0\u8232 \f0 \'a0\ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\b\fs20 \cf2 Final Projects \f0\b0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f5\fs20 \cf2 Stefan Andres, [{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~ande2139/test.html"}}{\fldrslt \cf5 no title yet}}] \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Elizabeth Andrews, "{\field{\*\fldinst{HYPERLINK "http://people.mn.mediaone.net/elizabethandrews/ProjectHome.htm"}}{\fldrslt \cf5 Classification and Hypertext}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Shaun Blakeman, "{\field{\*\fldinst{HYPERLINK "http://www2.daily.umn.edu/~blakeman/"}}{\fldrslt \cf5 Rules}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Marjorie Brekke, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~brek0041/"}}{\fldrslt \cf5 Confession}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Andrea Copacek, "{\field{\*\fldinst{HYPERLINK "http://www.smackeral.com/project/"}}{\fldrslt \cf5 Hacker< >Reader< >Strategist}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Amber Darling, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~darl0018/final_paper.html"}}{\fldrslt \cf5 Why Computer Games can Never be Great Literature (Well\'85Almost Never)}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Erin Donlin, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~donl0009/index.html"}}{\fldrslt \cf5 Infinitude/Finitude}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Brian Duginske, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~dugi0001/"}}{\fldrslt \cf5 FDI}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Nicole Garrison, [{\field{\*\fldinst{HYPERLINK "http://www.angelfire.com/mn2/electronicliterature/index.html"}}{\fldrslt \cf5 no title yet}}] \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Whitney Goodrich, "{\field{\*\fldinst{HYPERLINK "http://www.angelfire.com/mn2/hsemproject/page1.html"}}{\fldrslt \cf5 This is hypertext}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Gerd Groenewold, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~groe0052/"}}{\fldrslt \cf5 The Labyrinth and Hypertext}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Lorien Gruchalla-Wagner, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~gruc0001/index.html"}}{\fldrslt \cf5 A SimulaCraura in two parts}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Takeshi Hamamura, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~hama0061/memex2000/"}}{\fldrslt \cf5 memex2000}}" [best when viewed with IE] \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Jim Lindborg, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~lind0736/"}}{\fldrslt \cf5 Light Years}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Elizabeth Pierce, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~pier0173/"}}{\fldrslt \cf5 War Chronicles}}" \f0\fs24 \f3 \uc0\u8232 \f5\fs20 Jason Weidemann, "{\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/~weid0030/index.html"}}{\fldrslt \cf5 A Day in the Life of ...}}" \f0\fs24 \ \pard\intbl\itap2\pardeftab720\sa240\ql\qnatural \f4 \cf0 \f0 \cf2 \nestcell \lastrow\nestrow \pard\intbl\itap1\pardeftab720\ql\qnatural \f5 \cf2 \'a0 \f0 \cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clvmrg \clvertalc \clcbpat2 \clwWidth660\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clvertalc \clcbpat2 \clwWidth1200\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmgf \clvertalc \clcbpat6 \clwWidth11180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmrg \clvertalc \clcbpat6 \clwWidth11180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmrg \clvertalc \clcbpat6 \clwWidth11180\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clvmrg \clvertalc \clcbpat5 \clwWidth1880\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth15000\trftsWidth3 \trmarl180 \trmarr200 \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx1080 \clmgf \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx2160 \clmrg \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx3240 \clmrg \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx4320 \clmrg \clvertalc \clcbpat2 \clwWidth6940\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx5400 \clmgf \clvertalc \clcbpat5 \clwWidth7980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx6480 \clmrg \clvertalc \clcbpat5 \clwWidth7980\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx7560 \clvertalc \clshdrawnil \clwWidth80\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \pard\intbl\itap1\cell \pard\intbl\itap1\pardeftab720\ql\qnatural \cf2 \'a0\cell \lastrow\row \pard\pardeftab720\ql\qnatural \f5\i\fs20 \cf2 Last revised:\'a0 December 18, 2000 \f0\i0\fs24 \ \'a0 \ \'a0\ \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth8400\trftsWidth3 \trmarl3480 \trmarr3500 \trbrdrt\brdrnil \trbrdrl\brdrnil \trbrdrr\brdrnil \clvertalc \clshdrawnil \clwWidth3680\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt360 \clpadl360 \clpadb360 \clpadr360 \gaph\cellx4320 \clvertalc \clshdrawnil \clwWidth4000\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt360 \clpadl360 \clpadb360 \clpadr360 \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.english.ucsb.edu/faculty/rraley"}}{\fldrslt \f4 \cf0 }}\pard\intbl\itap1\pardeftab720\ql\qnatural \f8\b\fs20 \cf2 \'a0\'a0 Rita Raley \f0\b0\fs24 \cell \pard\intbl\itap1\pardeftab720\ql\qnatural \f8\fs20 \cf2 [course taught at the \f0\fs24 \ \pard\intbl\itap1\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "http://www.tc.umn.edu/"}}{\fldrslt \f8\fs20 \cf5 University of Minnesota}}] \ \pard\intbl\itap1\pardeftab720\ql\qnatural {\field{\*\fldinst{HYPERLINK "mailto:raley@english.ucsb.edu"}}{\fldrslt \f8\fs20 \cf5 raley@english.ucsb.edu}}\cell \row \itap1\trowd \taflags0 \trgaph108\trleft-108 \trwWidth8400\trftsWidth3 \trmarl3480 \trmarr3500 \trbrdrl\brdrnil \trbrdrt\brdrnil \trbrdrr\brdrnil \clmgf \clvertalc \clshdrawnil \clwWidth8040\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt360 \clpadl360 \clpadb360 \clpadr360 \gaph\cellx4320 \clmrg \clvertalc \clshdrawnil \clwWidth8040\clftsWidth3 \clbrdrt\brdrnil \clbrdrl\brdrnil \clbrdrb\brdrnil \clbrdrr\brdrnil \clpadt360 \clpadl360 \clpadb360 \clpadr360 \gaph\cellx8640 \pard\intbl\itap1\pardeftab720\qc \f8\fs20 \cf2 "Today, how can we not speak of the university?" \f0\fs24 \ \f8\fs20 -- Jacques Derrida, "The Principle of Reason: The University in the Eyes of Its Pupils" \f0\fs24 \cell \pard\intbl\itap1\cell \lastrow\row \pard\pardeftab720\sa320\ql\qnatural \b\fs20 \cf2 \ \pard\pardeftab720\ql\qnatural \b0\fs24 \cf2 \ }