Terminology & Timelines

• A Subjective Chronology of Literary Hypertext (Stuart Moulthrop)
• HyperTerrorist's Timeline of Hypertext History (Jorn Barger; 1996)
• Hypertext Terms (WWW Consortium)
• Hypertext Terminology (The Electronic Labyrinth)
• What is Hypertext? (Sunah Cherwin)

• Michael Benedetti, Mercury (n.d.)
• Linda Carroli & Josephine Wilson, water always writes in plural (1998)
• John Cayley and Yang Lian, Where the Sea Stands Still (May 27, 1997)
• M.D. Coverley, The Lacemaker, Elys (1996) 
• Maria Damon & Miekal And, "Literature Nation," "Whether Nation" and "Moss Goddess"
• Adrienne Eisen, Three Hypertexts (Six Sex Scenes; The Interview; Winter Break)
• William Gillespie, Scott Rettberg, Dirk Stratton, and Frank Marquardt, "The Unknown" (1998)
• Adriene Jenik, Mauve Desert: A CD-Rom Translation (1997)
• Michael Joyce
  • afternoon, a story (1987)
  • "Twelve Blue" (1996)
• Judy Malloy, Uncle Roger (1986; adapted for the Web in 1995); Collected Internet Works
• Colin Moock, Nebeneinander and Nacheinander and accompanying analysis, "The Aphasia of Similarity Disorder on the World Wide Web: Jakobson's Linguistic Poles and Hyper-Text" (1995)
• Stuart Moulthrop
  • Hegirascope (Version 2, October 1997)
  • WWW sampler of Victory Garden (1995): "Pillars of Wisdom"
• Andrew Oldham (with Mike Fairclough), Neuter (1998)
• William Powhida, Projection (1999)
• Christine Sheffield Sanford, Red Mona (1995); No Pink (1998)
• Ian Randall Wilson, "If We Even Did Anything" (1996)
• Tree Literature | Plot Branching
  • Julian Arnold, Interactive Fiction FAQ (1997)
  • Charles Deemer, The Cyberspace Sonnets (1996; no longer on-line)
  • Allen Firstenberg, Addventure (collaborative experiment; allows user input; n.d.)
  • Stephen Granade, Interactive Fiction Bibliography (text file; April 1997)
  • Raymond Queneau, 'A Fairytale as You Like It'
    Gareth Rees, "Tree Fiction on the World Wide Web" (1994)

• Philippe Bootz
• John Cayley
• Eduardo Kac (also see his New Media Poetry, Hypertext, and Experimental Literature Bibliography; 1998)
• Electronic Poetry Center (SUNY Buffalo)
• Proto-Anthology of Hypermedia Poetry
• Jim Rosenberg
• Andre Vallias
• Jenny Wright, "Rice"

• Miekal And, spidertangle wordround (online interwriting workshop open to new collaborators)
• Crime Scene Evidence Files ("The public is invited to participate in the current investigation by asking questions, offering observations and providing leads.")
• Abbe Don, Bubbe's Back Porch (interactive story archive)
• Hypertext Fiction Archive (collaborative fiction archive from students at George Washington Univ.)
• Derek Powazek, the fray ("the fray is a place for people who believe the web is about personal expression and a new kind of art")
• Helen Thorington (with M.R. Petit and John Neilson), Solitaire (1998)
• Christopher and Olga Werby, eds., The Company Therapist (1996; allows user input)
• John Updike and 44 co-authors, Murder Makes the Magazine (hosted by amazon.com)

• Beyond Interface Index
• Electronic Text: Selected Annotated Bibliography (Univ. Minnesota; 1995)
• Chris Funkhouser, Cybertext Literature: an online URLography (1998)
• Hyperizons (Michael Shumate)

• Art on the CD-ROM Frontier
• Ascii Art
• Earl's Computer Art Gallery
• Brian Evans: Visual music, fractals, computer graphics
• Gender Identity in New Media--Source Works (Judy Malloy; good, comprehensive bibliography with numerous links)
• Vera Molnar
  1. One Per Cent Disorder
• NetGates Café Gallery
  1. Barbara Gill, Photographic Images
  2. Stephen Jackson, 90s Computer Paintings
  3. Hemali Modha, Andalusia
• Frank Popper, "Visualization, Cultural Mediation and Dual Creativity" (Leonardo On-Line)
• Lillian Schwartz
  1. Lillian Schwartz: The Humanization of Technology (Williams Gallery, New Jersey; 1996)
  2. Selected Group Exhibitions
• Bill Seaman
  1. Digital Traces 
  2. Passage Sets (One Pulls Pivots at the Top of the Tongue) (SOHO Guggenheim: Mediascape; 1994-95)
  3. Red Dice (Telstra Adelaide Festival; 2000)
• SIGGRAPH 98 Art Gallery (Orlando, Florida; "a milestone exhibition chronicling 25 years of computer art from early algorithmic drawings and paintings to modeled figures and 'pebble drawings' by pioneering computer artists")
• Penelope Wakeham Digital Art Gallery
• Jeff Wall
  1. Frances Loeb Library: Jeff Wall (bibliography)
  2. Jeff Wall Exhibition (Contemporary Art Gallery of the Art Tower Mito; 1998)
  3. Jeff Wall on the Internet (Artcyclopedia)
• ZKM/Institute for New Media: Artintact 4 
• ZKM/Institute for New Media: Artintact 5

• Mark Amerika, "Hypertextual Consciousness" (A Companion TheoryGuide) (1997)
• Miekal And (Xexoxial Endarchy)
  1. "after emmett: a typofantastic epic voyage"
  2. "Logokons" (visual noise machines)
  3. "p a t a p h y s i c a l sobriety test: QUANTUM 'PATAXEROGENY 1988-1938" [Hypertext in 37 quanta]
  4. with Amendant Hardiker, "POLYNOISE: !Information Abstracts for the ElectroMagnetic Spectacle!" (1996)
  5. With Elizabeth Was, "sustaining the hyperkulture: toward and ecology of information" (1992)
• Michael Avatar, ****
• V. Balasubramanian (Rutgers), "Hypertext Review"
• Belinda Barnet, "Reconfiguring Hypertext as a Machine: Capitalism, Periodic Tables and a Mad Optometrist"
• Kathleen Burnett, "Toward a Theory of Hypertextual Design" (PMC; 1993)  
• "Conversation with Geoffrey Bennington" (on the relation between deconstruction and hypertext, the Internet, and information technology) (Seulemonde)
• Jay David Bolter, "Degrees of Freedom" (1996)
• Vannevar Bush
  • "As We May Think" (originally published in The Atlantic Monthly in 1945)
  • Remembering the Memex: A FEED Document on Vannevar Bush's "As We May Think" (passages from Bush's original essay, with hypertext annotations from a panel of writers and critics, including hypertext author & theorist Michael Joyce)
• Derrida and Hypertext (lists hypertexts that make use of Derrida's work) (Marc Zbyszynski, Brown)
• Maya Drosdz, Evidence: Meditations on Small Objects (1998)
• The Electronic Labyrinth (guide to the genealogy, philosophy, structure, and technology of hypertext; subtopics on hypertext re-thinking the book, literary formats from manuscripts to the electronic book, the non-linear tradition in literature) (Christopher Keep & Tim McLaughlin, Univ. Alberta)
• Jurgen Fauth, "Poles in Your Face: The Promises and Pitfalls of Hyperfiction"
• Christopher T. Funkhouser, Cybertext Poetry: Effects of Digital Media on the Creation  of Poetic Literature (1997)
• N. Katherine Hayles, "Dinosaur or Postmodern Mutant? Narrative in the Age of Information"
• Hypermedia Joyce Studies (article on Joyce and the prehistory of cyberspace)
• Michael Joyce, "Beyond next before you once again: Repossessing and Renewing Electronic Culture" (1997)
• Kia Mennie (Carleton), Hypertext & Literary Theory
• Jerome McGann (Univ. of Virginia)
  1. "Radiant Textuality" (relates online computing and hypertext to literary scholarship)
  2. "The Rationale of HyperText"
• Colin Moock, "The Aphasia of Similarity Disorder on the World Wide Web: Jakobson's Linguistic Poles and Hyper-Text" (1995)
• Stuart Moulthrop, "Traveling in the Breakdown Lane: A Principle of Resistance for Hypertext" (Mosaic 28/4 [1995], pp. 55-77)
• Ted Nelson
  1. Ted Nelson and Xanadu (The Electronic Labyrinth)
  2. Ted Nelson's Xanadu Project
  3. Jim Whitehead, "Orality and Hypertext: An Interview with Ted Nelson"
• D.N. Rodowick, "Audiovisual Culture and Interdisciplinary Knowledge" (It now includes sound and images, but was originally published in New Literary History 26 [1995]: 11-121.)
• Clay Shirky, "This Essay Doesn't Fit on Your Screen: An Essay on Web Fiction"
• John Tolva (Washington Univ.)
  • Hypertext and the English Renaissance: Studies in Media Transformation
  • "Ut Pictura Hyperpoesis: Spatial Form, Visuality, and the Digital Word" (1996) (The Seventh ACM Conference on Hypertext, Washington D.C.)
• Susana Pajares Toska, Review of Deena Larsen, Samplers 

• IUIC Hypermedia Discussion Group
• alt.hypertext (interface to newsgroup)

• Alt-Xpublishing network
• ebr: electronic book review
• frAme: The Culture and Technology Journal
• Hyper-X ("the new department of Alt-X devoted to hypertext and interactive textuality")
• Salt Hill (Syracuse University)
• 101: one zero one

• Alan Liu, Internet Tools and Information (Voice of the Shuttle)
  Citing the Sites: MLA-Style Guidelines and Models for Documenting Internet Sources (Andrew Harnack & Gene Kleppinger; Eastern Kentucky Univ.)