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Hypertext
Fiction (an always incomplete list) |
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- Michael
Benedetti, Mercury
(n.d.)
- Linda
Carroli & Josephine Wilson, water
always writes in plural (1998)
- John
Cayley and Yang Lian, Where
the Sea Stands Still (May 27,
1997)
- M.D.
Coverley, The
Lacemaker, Elys (1996)
- Maria
Damon & Miekal And, "Literature
Nation," "Whether
Nation" and "Moss
Goddess"
- Adrienne
Eisen, Three Hypertexts (Six
Sex Scenes; The
Interview; Winter
Break)
- William
Gillespie, Scott Rettberg, Dirk Stratton,
and Frank Marquardt, "The
Unknown" (1998)
- Adriene
Jenik, Mauve
Desert: A CD-Rom Translation (1997)
- Michael
Joyce
- Judy
Malloy, Uncle
Roger (1986; adapted for the Web
in 1995); Collected
Internet Works
- Colin
Moock, Nebeneinander
and Nacheinander and
accompanying analysis, "The
Aphasia of Similarity Disorder on the
World Wide Web: Jakobson's Linguistic
Poles and Hyper-Text" (1995)
- Stuart
Moulthrop
- Andrew
Oldham (with Mike Fairclough), Neuter
(1998)
- William
Powhida, Projection
(1999)
- Christine
Sheffield Sanford, Red
Mona (1995); No
Pink (1998)
- Ian
Randall Wilson, "If
We Even Did Anything" (1996)
- Tree
Literature | Plot Branching
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Digital
and Computer-generated Poetry |
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Hypertext
Journals |
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Digital
Art, Net.Art and Hypermedia |
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- Art
on the CD-ROM Frontier
- Ascii
Art
- Earl's
Computer Art Gallery
- Brian
Evans: Visual music, fractals, computer
graphics
- Gender
Identity in New Media--Source Works
(Judy Malloy; good, comprehensive bibliography
with numerous links)
-
William
Latham
- Chip
Lord, Awakening
from the Twentieth Century
- Vera
Molnar, One
Per Cent Disorder
- NetGates
Café Gallery
- Barbara
Gill, Photographic Images
- Stephen
Jackson, 90s Computer Paintings
- Hemali
Modha, Andalusia
- Michael
Noll, Gaussian
Qadratic (1963)
-
Otto Piene, Rauchbild
- Frank
Popper, "Visualization,
Cultural Mediation and Dual Creativity"
(Leonardo On-Line)
- Lillian
Schwartz
- Mona/Leo
- Lillian
Schwartz: The Humanization of Technology
(Williams Gallery, New Jersey; 1996)
- Selected
Group Exhibitions
- Bill
Seaman
- Digital
Traces
- Passage
Sets (One Pulls Pivots at the Top of
the Tongue) (SOHO Guggenheim:
Mediascape; 1994-95)
- Red
Dice (Telstra Adelaide Festival;
2000)
- SIGGRAPH
98 Art Gallery (Orlando, Florida;
"a milestone exhibition chronicling 25
years of computer art from early algorithmic
drawings and paintings to modeled figures
and 'pebble drawings' by pioneering computer
artists")
-
Karl Sims, Galapagos
- Penelope
Wakeham Digital Art Gallery
- Jeff
Wall
- A
Sudden Gust of Wind (after Hokusai)
- Frances
Loeb Library: Jeff Wall (bibliography)
- Jeff
Wall Exhibition (Contemporary Art
Gallery of the Art Tower Mito; 1998)
- Jeff
Wall on the Internet (Artcyclopedia)
- ZKM/Institute
for New Media: Artintact 4
- ZKM/Institute
for New Media: Artintact 5
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Hypertext
Criticism |
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- Mark
Amerika, "Hypertextual
Consciousness" (A Companion TheoryGuide)
(1997)
- Miekal
And (Xexoxial
Endarchy)
- "after
emmett: a typofantastic epic voyage"
- "Logokons"
(visual noise machines)
- "p
a t a p h y s i c a l sobriety test:
QUANTUM 'PATAXEROGENY 1988-1938"
[Hypertext in 37 quanta]
- with
Amendant Hardiker, "POLYNOISE:
!Information Abstracts for the ElectroMagnetic
Spectacle!" (1996)
- With
Elizabeth Was, "sustaining
the hyperkulture: toward and ecology
of information" (1992)
- Michael
Avatar, ****
- V.
Balasubramanian (Rutgers), "Hypertext
Review"
- Belinda
Barnet, "Reconfiguring
Hypertext as a Machine: Capitalism, Periodic
Tables and a Mad Optometrist"
-
Kathleen Burnett, "Toward
a Theory of Hypertextual Design" (PMC; 1993)
- "Conversation
with Geoffrey Bennington" (on the
relation between deconstruction and hypertext,
the Internet, and information technology)
(Seulemonde)
- Jay
David Bolter, "Degrees
of Freedom" (1996)
- Vannevar
Bush
- Derrida
and Hypertext (lists hypertexts that
make use of Derrida's work) (Marc Zbyszynski,
Brown)
- Maya
Drosdz, Evidence:
Meditations on Small Objects (1998)
- The
Electronic Labyrinth (guide to the
genealogy, philosophy, structure, and
technology of hypertext; subtopics on
hypertext re-thinking the book, literary
formats from manuscripts to the electronic
book, the non-linear tradition in literature)
(Christopher Keep & Tim McLaughlin,
Univ. Alberta)
- Jurgen
Fauth, "Poles
in Your Face: The Promises and Pitfalls
of Hyperfiction"
- Christopher
T. Funkhouser, Cybertext
Poetry: Effects of Digital Media on the
Creation of Poetic Literature
(1997)
- N.
Katherine Hayles, "Dinosaur
or Postmodern Mutant? Narrative in the
Age of Information"
- Hypermedia
Joyce Studies (article on Joyce
and the prehistory of cyberspace)
- Michael
Joyce, "Beyond
next before you once again: Repossessing
and Renewing Electronic Culture" (1997)
- Kia
Mennie (Carleton), Hypertext
& Literary Theory
- Jerome
McGann (Univ. of Virginia)
- "Radiant
Textuality" (relates online computing
and hypertext to literary scholarship)
- "The
Rationale of HyperText"
- Colin
Moock, "The
Aphasia of Similarity Disorder on the
World Wide Web: Jakobson's Linguistic
Poles and Hyper-Text" (1995)
- Stuart
Moulthrop, "Traveling
in the Breakdown Lane: A Principle of
Resistance for Hypertext" (Mosaic
28/4 [1995], pp. 55-77)
- Ted
Nelson
- Ted
Nelson and Xanadu (The Electronic
Labyrinth)
- Ted
Nelson's Xanadu Project
- Jim
Whitehead, "Orality
and Hypertext: An Interview with Ted
Nelson"
- D.N.
Rodowick, "Audiovisual
Culture and Interdisciplinary Knowledge"
(It now includes sound and images, but
was originally published in New Literary
History 26 [1995]: 11-121.)
- Clay
Shirky, "This
Essay Doesn't Fit on Your Screen: An Essay
on Web Fiction"
- John
Tolva (Washington Univ.)
- Susana
Pajares Toska, Review
of Deena Larsen, Samplers
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